Portfolio

Orchestral Scores

Morris Monday (2013): Alison’s most ambitious work so far – please click here to visit the Morris Monday page and listen to excerpts from a live recording of the premiere performance.

Arena Overture: Although the bulk of this piece was written in 2012 after a summer of Olympic and Paralympic excitement, the main melody started life as a folk tune called ‘The Heron’, written and arranged for violin trio by Alison Rowley at the English Acoustic Collective Summer School in Gloucestershire in July 2011.

Arena Overture by AlisonRowley – virtual instruments demo (full piece)

 

Journey’s End: Inspired by John McCrae’s poem In Flander’s Fields, this tribute to the fallen of World War I was premiered at LSO St Luke’s in London after being chosen by Sound and Music (formerly SPNM) as an example of the best in youth music.  It has since been performed by the Essex Concert Orchestra, the South Essex Youth Symphony Orchestra, Cambridge University’s Orchestra On The Hill and the Morris Orchestra at Cecil Sharp House. The sound file below contains extracts from a live recording of the chamber ensemble arrangement:

Journey’s End – Chamber Ensemble by AlisonRowley – live recording (extracts)

 

The Night Before Christmas: An uplifting narrated setting of the popular seasonal poem, ‘Twas The Night Before Christmas. Written in 2010, this has been performed twice by the South Essex Youth Symphony Orchestra at their annual Christmas concert.

The Night Before Christmas by AlisonRowley – virtual instruments demo (full piece)

 

The Night Before Christmas – live by AlisonRowley – live recording by the South Essex Youth Symphony Orchestra (extracts)

 

Smaller Ensembles

The Heron: A folk tune written by Alison at the 2011 EAC summer school at Ruskin Mill, Gloucestershire, and arranged for three fiddles (one melody and two accompanying parts).

 

In The Open: A song cycle on the theme of weather and seasons, in the words of Anne Bronte and Robert Louis Stephenson. Written for voice and piano, this collection of three songs was influenced by the English pastoral style of Vaughan Williams and Ravel. The sound file below contains excerpts from a live recording for baritone and piano:

In The Open by AlisonRowley – live recording (extracts)

 

My Kingdom For A Horse: A diversion from Alison’s usual composing style, this brass quartet was inspired by the dramatic finale of Shakespeare’s play Richard III and uses the speech rhythms of key quotations in the play. The line “my horse, my horse, my kingdom for a horse” is particularly prominent.

My Kingdom For A Horse by AlisonRowley – virtual instruments demo (full piece)

 

Gloucester Processional: In 2014 Alison was commissioned to devise a new work for pipe and tabor, suitable for memorisation and playing by ear. You can watch the first rehearsal here:

 

Carols From The Countryside

In 2013 Alison created orchestral arrangements of traditional carols for the English Folk Dance and Song Society’s annual carol concert, Carols From The Countryside. Several of the songs can be found in the playlist below. All of these arrangements are available to hire. Please contact Alison for more details on difficulty and instrumentation.

 

Current and Future Projects

Alison is now beginning a new narration project, this time with the theme of Bedtime Stories.